Denis Buffet-Auger established a clarinet workshop in 1825 in Paris. Buffet clarinets became widely recognized for their award-winning quality as early as the 1889 Universal Exhibition in Paris. Buffet clarinets first came to the United States in 1918 and have been sold there since. Because Buffet clarinets have such a long history, determining the model can be exciting, especially if you discover that yours is one of the original--and valuable--models.
Examine the side of the upper body of the clarinet to find the long, thin key just above the only hole located on the back of the instrument. This is the register key. Beside the top of the register key should be a marking that Buffet uses to identify the model of the clarinet. All Buffet clarinets come stamped with the basic, round logo, so any other distinguishing marks can be used for identification. If there is a letter followed by a number, such as B12' or 'E11,' stamped below the emblem, this is the model of your clarinet.
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Check below the emblem for a small, metal plaque or a marking that appears to have held such a plaque at one time. Buffet uses these plaques to identify modern, professional-grade clarinets. Determining the model without the original stamp or plaque involves such technical differences that you will need to enlist the help of an expert.
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Buffet Crampon has been making clarinets since 1836, although serial number records are only available from 1885 onwards. Until the end of 1927, serial numbers were a mixture of letters and numbers; since then, however, Buffet Crampon has numbered its clarinets in the order that they are made.
If the word 'EVETTE' is stamped in the center of your the Buffet emblem, it is one of the company's student- or intermediate-level clarinets from before 1983. A wooden-bodied clarinet with this emblem is a B12 model, and a plastic-bodied is the E11. Some Evettes also may have 'Master Model' stamped below the emblem. These upgraded models were mostly produced before the 1960s.
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If the emblem stamped on your clarinet has no extra markings, stamps or plaques, it could be one of the highly regarded R13 models. Check your clarinet's serial number, located on the case or on a small stamp on the back of the barrel. If the number is above 50,000, it is likely an R13. You can also look at the 'A' and 'A' flat keys near the top of the clarinet. If the two keys are fused onto a single joint, your clarinet is not an R13.
Buffet Crampon Serial Numbers Baritone Saxophone
Buffet Crampon Serial Numbers
Clarinet Manufacturing History > Buffet HistoryDon't miss the 1962 book about Buffet company history available for download at the very bottom of this page! Thanks to Bennett Price for sending me the scan of this document! (Click on the down-arrow button on the right to download.)The rest of this page is just bits and pieces. The keywork for the Buffet's is made at Schreiber in Germany.
From a post on woodwind.org by Javier Garcia.
La Couture-Boussey, in Normandy, nord of Paris, a place linked to music instruments making. As 'Memoire d'Ebone', page 73: 'The manufacture of calrinets began at La Couture-Boussey toward the end of the eighteenth century, and among the earliest to work in the production of this instrument were certainly members of the Buffet family, whose presence in the village has been documented at least as far back as 1772.'1955 print adFrom an excellent 2001-02-03 post by Jack Kissenger at woodwind.org: First of all, 'Evette & Schaeffer' model clarinets are not the same as 'Evettes.' When this designation was used, the Evette was Buffet's student/low-end intermediate wood instrument. The Evette & Schaeffer model was Buffet's high-end intermediate model. (Evette and Schaeffer were two partners who purchased the Buffet company in the early part of the 20th century but retained the Buffet name.) [See the clarinetperfection link below: Buffet factory was bought in 1885 by two men, whose last names were Evette and Schaeffer. From Annette: Their complete names: Paul Evette and Ernest Schaeffer.]
Both models appear to have been around for a long time. I have an early Evette & Schaeffer whose keywork is quite similar in style to the keywork on a professional Buffet instrument from 1936 that a friend of mine owns. Buffet made the model until 1981 or 82 (with significant design changes over the years) when they changed the designation to the E13. All the evidence I have seen indicates that these instruments were always made in the main Buffet factory. The last series was the K-series. It began around 1953 according to the Boosey & Hawkes web site.
As far as I have been able to determine, the (wooden) Evette model dates back about as far as the E&S and these instruments were also made until 1982 -- in France (possibly not all at the main Buffet factory and possibly not all by Buffet) until the late 70's, then in Germany until 1982 when they were renamed the E11. The last (wooden) Evette series was the D-series which began in 1963, according to the B&H site.
In short, the evidence I have seen suggests the following 'equivalences':
Plastic Evette became the B12.
Wooden Evette became the E11.
Evette Master Model became the E12.
Evette & Schaeffer became the E13.
1960 ad:
There was also an Evette & Schaeffer Master Model. There is alot of folk lore surrounding these clarinets as Buffet does not disclose much information about them these days. One popular tale is that the E&S Master Models (another version involves the Evette Master Models) were actually R13's that had failed their final inspection because of some minor imperfection such as a blemish in plating or unattractive wood. However, there are some subtle but definite differences between the E&S Master Model and R13's from the same time period. (I have a couple of each.) On the E&S, the bell is a little longer and the stock barrel a little shorter. Furthermore, there are some differences in the keywork. The most notable is the sliver key on the lower joint. On the E&S, the distance between the two posts for this key is several millimeters longer than the R13. Also there are differences in the design of the lower joint where the right-hand cluster of keys is located. To my eyes, the master model is much more nearly identical to the 'standard' E&S (I don't see any difference) than it is to the R13.
See this page on Buffet history at clarinetperfection.com. This page also has a terrific list of early serial numbers. Also from that page, I am copying Buffet's own factory serial number list. (However this is incomplete compared to the information at clarinetperfection.) |
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